Ellison Tan Yuyang
Tan Yuyang Ellison is a Theatre Studies graduate from the National University of Singapore. Recent theatre credits include Dear Nora by Our Company, Sublime Monsters and Virtual Children by Brian Gothong Tan, Temple Reconstructed by Cake Theatrical Productions and Turn by Turn We Turn by The Finger Players. Ellison has been fortunate in terms of the training opportunities she has had with ECNAD, Cake Theatrical Productions, The Finger Players, Nine Years Theatre and this collective. She is also an avid playwright, and her latest works include: The Eulogy Project I: Muah Chee Mei and Me (Potluck Productions) and 《吴刚成仙记》(Handsforth, part of Esplanade’s Moonfest 2014). Ellison is currently an apprentice of The Finger Players.
Cairnhill Arts Centre
Born in Brussels in 1989. Director and Founder of Kenobi, and director of “The Useful Program” (Kyoto International Performing Arts Festival – KYOTO EXPERIMENT, 2013 and 2014). He produced “trying” and “teaching” which can be said to be artistic direction in an expanded sense, for a workshop《Self-Government》 and ate rice with stones as a side dish in 《Side-Dish Stone》. He published Directions and Instructions – The However Goods in 2012.
Photographer and filmmaker. Uses cameras to record the daily lives of individuals, turning his attention even to the social and economic factors that are revealed in the images, eroding daily life whether willingly or not. Major exhibitions include “Satoshi Nishizawa: Hardcore of Documentary” (2011, Sanagi Fine Arts, Tokyo) and “Romantic Geography” (2014, TKG+, Taipei). Main screenings include “Tuesday Classes – Satoshi Nishizawa’s Hyakko (Hundred Lights)” (2013, Rikkyo University), and “Shingo Kanagawa – ‘Father’” (2015, Contemporary Art Museum, Kumamoto).