I would like to look at the work of “dancers” in my program. Within the strict bindings of choreography, or in a highly improvisational structure with some given rules, how do the dancers make “moments of dance” happen? Those moments, created by the dancers who have chosen this art as profession for their life, are to be appreciated. The choreographers construct and deconstruct their philosophy and methodology of inducing the “moment of becoming dance”, and repeat the process through their body. Then, at the present, how do they perceive the world through their body? This program shows the works of Pichet Kulunchun and Mika Kurosawa, choreographers who, based in Thailand and Japan respectively, have been creating new contexts of dance free from any conventional idea or methodology. At the same time, can they be free from the proposition that dance can be useful for society, and from the reasons why they dance?. I would like to examine how dance can be free from meanings and personal reasons, or in other words, how dance can be just dance. The two works I present this year are the ones that I firmly believe stand on the point where the two above-mentioned ideas cross.