Performing Arts Meeting in Yokohama February 9 (Sat) - 17 (Sun)

TPAM in Yokohama 2013 > Showing Program > TPAM Direction > Yukako Ogura Direction

Yukako Ogura Direction

小倉由佳子小倉由佳子
アイホール(伊丹市立演劇ホール)ディレクター
1976年兵庫県生まれ。神戸女学院大学文学部卒業。2001年から2006年6月まで、アイホール(伊丹市立演劇ホール)ダンス担当者として勤務。退職後、フリーランスの舞台制作者として、ダンスを中心に、演劇、音楽も含め、さまざまな公演、イベントに関わる。2008年より、アイホールディレクターとなり、同劇場の主にダンスプログラムの公演、ワークショップを企画制作している。2010年からKYOTO EXPERIMENT(京都国際舞台芸術祭)制作スタッフ。


舞台芸術に、もっとさまざまな人材や方法論等を持ち込み、「雑食化による恊働」を促すことはできないだろうか。情報の持ち寄り、議論を交わすこと、他者の介在により、新たな観点や価値観、言説が生まれること。「自分の表現」といったことから自由で、スタイルの確立を目指すのではなく、いかに人間のそれぞれ/空間のそれぞれから発想することができるか。本プログラムで紹介するアーティストは、各々「美術」「ダンス」「演劇」という既存のジャンルを消化しつつ、ユニークなアプローチで創作を重ね、ドキュメントとフィクションの交差、観客に「引っかかり」を残すための有効な構成・編集のあり方を模索しています。そんな彼らの試行によって、常に更新が求められる舞台芸術に、雑食たる多種多様の材料、ツールが持ち込まれ、撹拌する場になればと思います。

Yukako OguraYukako Ogura
Director, AI.HALL / Itami Culture Foundation
Born in Hyogo in 1976. Graduated from Kobe College. From 2001 to June 2006, she worked for the AI.HALL in Itami City, Hyogo, and was responsible for the dance programs. She became a freelance performing arts presenter in 2006 and engaged in various performances and events mainly of dance but also including theatre and music. She became a director of AI.HALL in 2008, and has been planning and producing mainly the dance programs and workshops. A staff member of KYOTO EXPERIMENT since 2010.


Is it possible to stimulate “omnivore collaboration” by bringing even more diverse manpower and methodologies into performing arts? Creation of new viewpoints, values and discourses through information gathering, discussions and intervention by Other: how can we draw ideas from each human and each space, being free from “self-expression” and establishment of styles? The artists that I would like to introduce in this program have digested existing genres such as “fine art” “dance” or “theatre” and create through unique artistic approaches, exploring the intersection of documents and fictions as well as effective structures and compositions in order to leave “a sense of incongruity” in audience. I hope their tryouts will make this program a place for bringing omnivore and diverse materials and tools into the domain of performing arts to stir it up, since it needs to continuously renew itself.

Nadegata Instant Party
[NAKAZAKI Tohru + YAMASHIRO Daisuke + NODA Tomoko]

『24 OUR TELEVISION』(2010)
Photo: Nadegata Instant Party

 

Extra Curtain Call

 

Feb 17 (Sun) 17:00
Kanagawa Arts Theatre, Hall
Admission included in TPAM Pass
Ticket: Adv (Ticket Kanagawa) / Door ¥2,000

 


Nadegata Instant Party’s works create a place where strangers get together, generate new relationships and subvert preexisting frameworks. Extra Curtain Call is an attempt to “present a theatre piece Win Win Mountain to only 12 members of audience in a 1,200-seat theater.” However, this theatre work cannot establish itself without 500 extras. Nadegata directs this piece live on stage, and the piece develops every moment. It is a “participation-in-audience-seat theatre” that comprises three parties — 12 “audiences,” some “performers” and 500 “extras” — and deconstructs the notion of “theater.” Who is the real protagonist?


 

Performed in Japanese with English support

Organized by: Performing Arts Meeting in Yokohama 2013 Executive Committee
Contact: Performing Arts Meeting in Yokohama Secretariat


Photo: Masako Naito

Nadegata Instant Party (NAKAZAKI Tohru + YAMASHIRO Daisuke + NODA Tomoko)
An artist unit formed in 2006 by an artist Tohru Nakazaki (b. 1976 in Ibaraki), Daisuke Yamashiro (b.1983 in Osaka), and Tomoko Noda (b. 1983 in Gifu) who engage in art management. They start a project by establishing the most appropriate “excuse” in accordance with the place and situation. Involving various people in installations and events, they present a process of changing “reality” through the “excuse” as a piece.

Kitamari/KIKIKIKIKIKI

I tried being born, but… (2010)
Photo: Ayako Abe

 

Give

 

Feb 15 (Fri) 16:30 | 16 (Sat) 17:00
Kanagawa Arts Theatre, Middle Studio
Director’s Talk after the performance on Feb 16
TPAM Pass required

Double feature with Where is crocodile? by KODOMOKYOJIN
*Order of appearance: 1) Kitamari / KIKIKIKIKIKI, 2) KODOMOKYOJIN

 


Kitamari has created four new and challenging works with her company during her three-year engagement in “Take a chance project” in co-production with AI. HALL. Her works often involve characters that do not appear to be “suitable” for dance; it is said that her dance works are like caricatures of birds and beasts. We re-create one of the works from the project, which is inspired by Japanese folklore and sacred dance and explores “contemporary folklore performing arts.”


 

Performed in English with no translation

Conceived, directed and choreographed by: Kitamari
Performers: Yusuke Oba, Izuru Kinoshita, Hiroyuki Kozaka, Ryo Mikuriya

Organized by: Performing Arts Meeting in Yokohama 2013 Executive Committee
Contact: Performing Arts Meeting in Yokohama Secretariat


Photo: Yujiro Sagami

Kitamari
Born in 1983. Formed a dance company “KIKIKIKIKIKI” in 2003. Since then she has been working as artistic director, choreographer and dancer. She won the Audience Award at TOYOTA CHOREOGRAPHY AWARD 2008″ for Sakariba 007 and Fly to the Future Award at Yokohama Dance Collection R for School Girl. In addition to her own shows, she produces other artists’ performances and events to widely disseminate the interest in physical expression.

KODOMOKYOJIN

Where is crocodile? (2012)
Photo: Yu Taniguchi

 

Where is crocodile?

 

Feb 15 (Fri) 16:30 | 16 (Sat) 17:00
Kanagawa Arts Theatre, Small Studio
Director’s Talk after the performance on Feb 16
TPAM Pass required

Double feature with Give by Kitamari / KIKIKIKIKIKI
*Order of appearance: 1) Kitamari / KIKIKIKIKIKI, 2) KODOMOKYOJIN

 


A story of a lonely man who starts to look for a crocodile because of a strange telephone call asking him “Do you need love?” The story is told by six performers and musicians on a stage made only by two while lines, and the space morphs into various situations through their physical performance. An imaginative piece that expresses hope and despair about love and the sadness of life in spite of the comical storytelling.


 

Performed in English with no translation

Written and directed by: Takashi Masuyama
Performers: Hanaka Kiki, Toru Kageyama, Kanji Masuyama, Natsuki Oku, Tai Konaka, Takashi Masuyama, Yuji Ishihara (drums, feat.tutanTHEkhamens / Neyagawa Jam)

Organized by: Performing Arts Meeting in Yokohama 2013 Executive Committee
Contact: Performing Arts Meeting in Yokohama Secretariat


Photo: Yu Taniguchi

KODOMOKYOJIN
Formed in 2005 in Osaka around Takashi Masuyama and Kanji Masuyama, the brothers who represent the company. A free-style theatre collective that digs for “stories” buried under the world using diverse methodologies and theatrical dynamism to freely produce unrestrained and hallucinating images with dreams and fears as the motifs. They have organized their Europe tour for three times, and took part in lille3000 (France) in 2012.