Mark Teh is a director, curator and researcher whose diverse projects are particularly engaged with the issues of history, memory and the urban context. His collaborative work is situated primarily in performance and education, but also operates via exhibitions, new media, writing and social interventions. He graduated with an MA in Art and Politics from Goldsmiths, University of London, and currently teaches at the Department of Performance & Media, Sunway University. Mark is a member of Five Arts Centre – a collective of artists, activists and producers based in Malaysia.
Five Arts Centre
Five Arts Centre
Five Arts Centre is a collective of artists and producers dedicated to generating alternative art forms and images in the Malaysian creative environment. The collective’s scope of work includes theatre, dance, music, visual arts and young people’s theatre. Founded by theatre directors Chin San Sooi and Krishen Jit, and dancer-choreographer Marion D’Cruz in 1984.
Born in Brussels in 1989. Director and Founder of Kenobi, and director of “The Useful Program” (Kyoto International Performing Arts Festival – KYOTO EXPERIMENT, 2013 and 2014). He produced “trying” and “teaching” which can be said to be artistic direction in an expanded sense, for a workshop《Self-Government》 and ate rice with stones as a side dish in 《Side-Dish Stone》. He published Directions and Instructions – The However Goods in 2012.
Photographer and filmmaker. Uses cameras to record the daily lives of individuals, turning his attention even to the social and economic factors that are revealed in the images, eroding daily life whether willingly or not. Major exhibitions include “Satoshi Nishizawa: Hardcore of Documentary” (2011, Sanagi Fine Arts, Tokyo) and “Romantic Geography” (2014, TKG+, Taipei). Main screenings include “Tuesday Classes – Satoshi Nishizawa’s Hyakko (Hundred Lights)” (2013, Rikkyo University), and “Shingo Kanagawa – ‘Father’” (2015, Contemporary Art Museum, Kumamoto).